[00:00.00] 作词 : Daft Punk
[00:00.00] 作曲 : Daft Punk
[00:00.00] [Spoken Word: Giorgio Moroder]
[00:01.41]When I was fifteen, sixteen, when I really started to play guitar
[00:06.45]I definitely wanted to become a musician
[00:09.66]It was almost impossible because—it was—the dream was so big
[00:13.53]That I didn't see any chance because
[00:16.05]I was living in a little town; was studying
[00:19.29]And when I finally broke away from school and became a musician
[00:25.11]I thought, "Well, now I may have a little bit of a chance"
[00:28.86]Because all I really wanted to do is music
[00:31.29]And not only play music, but compose music
[00:35.19]At that time, in Germany, in '69, '70, they had already discotheques
[00:42.24]So, I would take my car, would go to a discotheque
[00:45.96]Sing maybe thirty minutes
[00:50.16]I think I had about seven, eight songs
[00:53.19]I would partially sleep in the car
[00:56.76]Because I didn't want to drive home and that helped me for about
[01:02.40]Almost two years to survive in the beginning
[01:09.18]I wanted to do an album with the sounds of the '50s
[01:12.66]The sounds of the '60s, of the '70s
[01:15.78]And then have a sound of the future
[01:19.02]And I said, "Wait a second, I know the synthesizer
[01:22.23]Why don't I use the synthesizer which is the sound of the future?"
[01:27.57]And I didn't have any idea what to do
[01:30.33]But I knew I needed a click, so we put a click on the 24-track
[01:34.65]Which then was synced to the Moog Modular
[01:38.73]I knew that could be a sound of the future
[01:42.36]But I didn't realize how much the impact would be
[01:47.16]My name is Giovanni Giorgio
[01:49.17]But everybody calls me Giorgio
[01:51.30][Interlude ]
[02:12.45][Spoken Word: Giorgio Moroder]
[04:58.92]Once you free your mind about a concept of
[05:02.82]Harmony and of music being "correct"
[05:06.54]You can do whatever you want
[05:07.92]So, nobody told me what to do
[05:11.22]And there was no preconception of what to do

作词 : Daft Punk
作曲 : Daft Punk

When I was fifteen, sixteen, when I really started to play guitar
I definitely wanted to become a musician
It was almost impossible because—it was—the dream was so big
That I didn't see any chance because
I was living in a little town; was studying
And when I finally broke away from school and became a musician
I thought, "Well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70, they had already discotheques
So, I would take my car, would go to a discotheque
Sing maybe thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home and that helped me for about
Almost two years to survive in the beginning
I wanted to do an album with the sounds of the '50s
The sounds of the '60s, of the '70s
And then have a sound of the future
And I said, "Wait a second, I know the synthesizer
Why don't I use the synthesizer which is the sound of the future?"
And I didn't have any idea what to do
But I knew I needed a click, so we put a click on the 24-track
Which then was synced to the Moog Modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio
But everybody calls me Giorgio

Once you free your mind about a concept of
Harmony and of music being "correct"
You can do whatever you want
So, nobody told me what to do
And there was no preconception of what to do