A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."歌词下载_A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."LRC歌词下载-Harry Partch

A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy." - Harry Partch.lrc

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[00:00.00-1] 作曲 : Harry Partch

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作曲 : Harry Partch

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Harry Partch1、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
Harry Partch2、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Bewitched
Harry Partch3、A Quarter-Saw Section of Motivations and Intonations:Ptolemy's Equable Diatonic; Separated by 3/2's
Harry Partch4、A Quarter-Saw Section of Motivations and Intonations:Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
Harry Partch5、A Quarter-Saw Section of Motivations and Intonations:Introduction to Examples Oo Intonation
Harry Partch6、A Quarter-Saw Section of Motivations and Intonations:Enharmonic Scale of Archytas; Separated by 3/2's; Triads
Harry Partch7、A Quarter-Saw Section of Motivations and Intonations:Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
Harry Partch8、A Quarter-Saw Section of Motivations and Intonations:Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
Harry Partch9、A Quarter-Saw Section of Motivations and Intonations:Scale of Pythagoras; Separated by 3/2's; Triads
Harry Partch10、A Quarter-Saw Section of Motivations and Intonations:Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
Harry Partch11、A Quarter-Saw Section of Motivations and Intonations:True and Tempered Triads
Harry Partch12、A Quarter-Saw Section of Motivations and Intonations:Scale of Olympos (Pentatonic)
Harry Partch13、A Quarter-Saw Section of Motivations and Intonations:Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
Harry Partch14、A Quarter-Saw Section of Motivations and Intonations:Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
Harry Partch15、A Quarter-Saw Section of Motivations and Intonations:Terpander's Hexatonic

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A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy." - Harry Partch.lrc

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