A Quarter-Saw Section of Motivations and Intonations:Introduction to Examples Oo Intonation在线试听_MP3歌词歌曲下载_Harry Partch专辑

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A Quarter-Saw Section of Motivations and Intonations:Introduction to Examples Oo Intonation - Harry Partch.mp3 在线试听

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歌手：Harry Partch

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Harry Partch1、A Quarter-Saw Section of Motivations and Intonations:Introduction to Examples Oo Intonation
Harry Partch2、A Quarter-Saw Section of Motivations and Intonations:Scale of Pythagoras; Separated by 3/2's; Triads
Harry Partch3、A Quarter-Saw Section of Motivations and Intonations:Ptolemy's Equable Diatonic; Separated by 3/2's
Harry Partch4、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Bewitched
Harry Partch5、A Quarter-Saw Section of Motivations and Intonations:Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
Harry Partch6、A Quarter-Saw Section of Motivations and Intonations:Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
Harry Partch7、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
Harry Partch8、A Quarter-Saw Section of Motivations and Intonations:Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
Harry Partch9、A Quarter-Saw Section of Motivations and Intonations:Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
Harry Partch10、A Quarter-Saw Section of Motivations and Intonations:Enharmonic Scale of Archytas; Separated by 3/2's; Triads
Harry Partch11、A Quarter-Saw Section of Motivations and Intonations:Close Degrees
Harry Partch12、A Quarter-Saw Section of Motivations and Intonations:Fox-Strangeways Resolutions
Harry Partch13、A Quarter-Saw Section of Motivations and Intonations:Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
Harry Partch14、A Quarter-Saw Section of Motivations and Intonations:Scale of Olympos (Pentatonic)
Harry Partch15、A Quarter-Saw Section of Motivations and Intonations:Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation

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