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A Quarter-Saw Section of Motivations and Intonations:Dissonances and Consonance: Coda to Oedipus; Coda to Revelation - Harry Partch.mp3 在线试听
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Harry Partch
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Harry Partch
1、A Quarter-Saw Section of Motivations and Intonations:Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
Harry Partch
2、A Quarter-Saw Section of Motivations and Intonations:Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
Harry Partch
3、A Quarter-Saw Section of Motivations and Intonations:Ptolemy's Equable Diatonic; Separated by 3/2's
Harry Partch
4、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Bewitched
Harry Partch
5、A Quarter-Saw Section of Motivations and Intonations:Introduction to Examples Oo Intonation
Harry Partch
6、A Quarter-Saw Section of Motivations and Intonations:Scale of Pythagoras; Separated by 3/2's; Triads
Harry Partch
7、A Quarter-Saw Section of Motivations and Intonations:Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
Harry Partch
8、A Quarter-Saw Section of Motivations and Intonations:Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
Harry Partch
9、A Quarter-Saw Section of Motivations and Intonations:Enharmonic Scale of Archytas; Separated by 3/2's; Triads
Harry Partch
10、A Quarter-Saw Section of Motivations and Intonations:Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
Harry Partch
11、A Quarter-Saw Section of Motivations and Intonations:Fox-Strangeways Resolutions
Harry Partch
12、A Quarter-Saw Section of Motivations and Intonations:Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
Harry Partch
13、A Quarter-Saw Section of Motivations and Intonations:Close Degrees
Harry Partch
14、A Quarter-Saw Section of Motivations and Intonations:Terpander's Hexatonic
Harry Partch
15、A Quarter-Saw Section of Motivations and Intonations:Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
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